CM 838369 - November Starlight Font
Thanks for checking out November Starlight! A lovingly hand-painted script font, fantastically elegant & eccentric with a sprinkle of carefree fun. November Starlight doesn't play by the rules - with extra bouncy characters, long vertical brush strokes and authentic hand-painted edges, it's bound to make a bold statement on anything from greeting cards and invitations, to personalised logos and handwritten quotes.
CM 832207 - Aloha Party | Watercolor Set
Introducing Aloha Party Watercolor Set which includes Wreaths and Bouquets with different botanical elements, palm leaves, branches, flowers, exotic birds and more. This set is just what you needed for the perfect invitations, craft projects, paper products, party decorations, printable, greetings cards, posters, stationery, scrapbooking, stickers, t-shirts, baby clothes, web designs and much more. This Collection includes 19 images:
• 6 floral wreath (PNG, 300 DPI)
• 6 horizontal bouquets (PNG, 300 DPI)
• 6 vertical bouquets (PNG, 300 DPI)
• 1 floral bouquet with "Aloha party" lettering (PNG, 300 DPI)
Videohive Map Travel Slideshow 17424949
After Effects Version : CC 2015, CC 2014, CC, CS6, CS5.5 | Universal Expressions : Yes | Length : 1:24 | Resolution : 1920x1080 | Media Placeholders : 110 | Text Placeholders : 20
Videohive Summer Slideshow 17466227
After Effects Version : CC 2015, CC 2014, CC, CS6, CS5.5 | Length : 00:50 | Resolution : 1920x1080 | Media Placeholders : 51 | Text Placeholders : 25
Stencil Creek - 10 fonts: $127.20
Stencil Creek font family is a rounded stencil typeface that comes in eight weights and two rough versions.
It is inspired by Akzidenz Grotesk and influenced by street signs of the North West Pacific.
You can also overlap some of the weights and get an extra inline font.
Stencil Creek is a legible typeface family designed for contemporary typography, especially for use in headlines, but also for reading purposes, includes extensive language support and many more OpenType features.
This font contains, different swashes and alternates.
OTF | RAR 1 MB
Hey Comrade - 1 font: $15.00
Hey Comrade is a very messy script font. It was made with a bamboo satay skewer (which I had soaked in ink). Hey Comrade would look good on book covers, packaging and in magazines. Comes with a 5-year plan of diacritics.
OTF | RAR 73 KB
Nickname Font Family - 7 Fonts
What’s your nickname?
I guess we all have had some kind of nickname...some of us even still has!
This font is called Nickname, and you can nickname it whatever you please...maybe nicknames like playful or funky comes to mind?!
The font Nickname comes with extended language support as well as ligatures for double letters - and that goes for all seven different versions of the font! Yes SEVEN different versions! Mix and match to get that authentic handmade feeling ... well, since the font IS handmade, all you need to do is play around with the different versions! :)
TT Walls Font Family - 10 Fonts
“What do you use to write a price tag at a store or to design a wall menu in a cafe? What to choose – a marker or chalk? Now it makes no more sense to be torn apart by the choice – use both techniques for your design.
TT Walls fontfamily allows to perfectly combine an eco-friendly style with contemporary motives. TT Walls fontfamily supports over 70 languages and consists of 10 typefaces in 5 popular weights (Thin, Light, Regular, Bold, Black).
Initially we wanted to create a font that would imitate an inscription made by a square tip marker which is usually used to write price tags at supermarkets, shops and cafes. During the working process we've decided to extend the conceptual boundaries of the TT Walls fontfamily and added 5 rough typefaces that imitate the style of ecologic chalk writing.”
Luminare Font Family - 5 Fonts
Luminare is a serif type family with a strong rhythmical structure, clean cut serifs and balanced proportions.
Luminare began life as a personal and academic enquiry into stencilled lettering. The key sources of this research where found in liturgical manuscripts from the 17th century and calligraphic experiments with the broad nibbed pen. Other influences include the work of W. A. Dwiggins, the writings of Eric Kindel, Richard Sennett, Phil Baines and Nicolette Grey.
The resulting typeface, whilst based on historical forms, has a subtle and clean aesthetic which allows the typeface to be quietly applied to a range of modern typographic applications – in both print and digital. Details include five 5 weights with Opentype features.