Kestrel Script Font Family - 2 Fonts
Originally designed in 1985 and released by Letraset for dry transfer Lettering, Kestrel has, until now, never been digitized. The face now has been completely re-drawn and digitized for all formats. It is a heavy formal script similar in form to Commercial Script.
Rufus Script is a connected script font inspired by Palmer method of business writing (classic commercial lettering of the 1900-1915). The Rufus Script family comes in five weights, with automatically loaded contextual alternates. Character set contain over 500 characters per font for wide range of Latin-based language support. Include proportional and tabular figures, ornaments and popular recycling symbols used for packaging. Rufus Script is great for product packaging, book covers, poster design, editorials and greeting cards. May be also freely used for long inscriptions due to its formal structure and added small irregularities simulate not fully-trained hand.
TTF | 5 Fonts | + JPG Preview
Rialto Script is a display script typeface inspired by old neon signs found in communistic times in Poland. A large number of alternates and swashes make every word unique, just like the neon signs were in this period. The typeface is designed to evolve as your type. It contains contextual alternates, basic and discretionary ligatures, initials and swashes. There are swashes for capitals, beginning and ending swashes in lowercase, plus dash swashes in lowercase. Lower and upper case contain a set of block letters which you can find by turning on Small Caps. Rialto Script is a monolinear display swashed script and came from dynamic and rhythmical handwriting. All of the glyphs are sit slightly above the baseline with a slanted axis. Rialto is perfect for titles, logos, signs and of course, neon signs.
Encina Script Font Family - 2 Fonts
Encina Script is a formal calligraphic typeface, carefully designed by Måns Grebäck.
Its swirly, thin strokes organically makes up large and delicate letters.
Encina Script works perfectly in magazines, invitations and logotypes that require an elegant twist.
It comes in two versions, with two different sizes of the upper case alphabet, to make it work in all contexts.
The typeface’s contextual alternates makes every word begin and finish in a natural and beautiful way.